| David Beede's "Eedy Beede" octave dulcimers... |
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| The instrument made with all oval sound holes is my classic model and sells for$200 in kit form and $265 finished in either cherry or poplar. More pricing info below. | Approximately 24" long, 5" wide and 2" deep, they have 1.25" wide fingerboards, 16.5" strings lengths, tuned in DAD an octave above full sized dulcimers. They can also be tuned as low as AEA with satisfactory results. | |
| This is my first octave dulcimer I made in the '70s out of left overs from a full sized instrument. It had zither pegs and a longer string length so was tuned AEA. | ||
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My wife Julie Johnson has taught kindergarten for 15 years so there have been many opportunities to test these with little hands. | |
| Though child inspired these are very capable instruments that hold their own in a variety of musical settings. Whether you're showing dulcimer fundamentals to little fingers, or floating a high harmony into a dulcimer jam or adding authoritative chop chords in a mixed jam session, these instruments really shine. | ||
| I had the great pleasure of participating in a jam at the Hudson Valley folk festival in Beacon NY. Though hard to see here, I'm playing an octave dulci along with two guitars, a banjo, and a djembe African drum. Most mountain dulcimers would be functionally silent in this kind of group.
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After months of research and experimentation - 27 prototypes - and hours of playing and listening this design finally emerged. |
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Other sound hole designs are available. |
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Here's my cherry, poplar, and mahogany models with Sun & Moon & dolphin sound holes. The perfling is turquoise inlay. (Pegheads are same wood/color as body, but their angle played tricks with the lighting.) Yes the bottom one is an "evil half breed" diatonic melody and chromatic middle and bass strings. |
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Close-up of turquoise "loop" perfling. | |
| Here's my "Floridian" model with Atlantic white sided dolphins for sound holes. |
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Partial Frets? As players & builders experiment dulcimers seem to be evolving into more chromatic beasts. This optional half of a 1-1/2 fret is a compromise that lets you keep the diatonic sliding sound on the melody string, but still play other chords - like C, F and Am in first position.
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The "floating fingerboard" allows a wider surface of soundboard to be activated - and as a side benefit you can use it to hold TAB while you're learning a tune. (Yup, that is a "Lefty.") |
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Though rather tradition looking on the outside - the inside reveals some pretty advanced features to insure good sound and playability.
A honeycomb pattern of holes lightens the floating fingerboard, while maintaining its rigidity. The lighter the fingerboard the less effort is required for the top to move, which means more sound. A "V" brace helps transfer vibration from fingerboard to top. | |
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You think someone loves her EDBD...?? |
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You want to hear one?
Angeline the Baker MP3 1.7 MB For some care, feeding and playing info and tips go HERE and follow the linkS. You can also watch the PBS TV spot where I play "The Water is Wide" on one. HERE Or see it here on YouTube the playing section.
And here is the You Tube building section.
New instruction video for Michael Peter Smith's song "Spoon River" Sorry about being a little out of tune... couldn't bring myself to shoot it all over again. Listen gently... :~) | ||||||
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